

By Kamy
O Morro da Favela (The Hill of the Favela), painted in 1924, is a masterpiece by Tarsila do Amaral, born from a keen socio-political critique on growing urban marginalization. The original painting portrays houses built on uneven ground, blending native vegetation, wild, and domestic animals. The social contrast is subtly expressed by the figure of Black people who, after the end of slavery, formed communities on the cities' outskirts. The canvas belongs to the Pau Brasil phase, a period of "rediscovery of Brazil" by the artist, marked by exuberant forms and colors following her return from abroad. Tarsila do Amaral was a luminous and visionary woman, ahead of her time, essential to the history of Brazilian painting and visual arts. The Modernist and Anthropophagic movements are important cultural icons in her career and for the national identity. In an exclusive project curated by Francesca Alzati, and in collaboration with the artist's family (represented by Tarsila do Amaral, grandniece), by Kamy transformed iconic works into precious tapestries (arazzos). These faithfully represent the work O Morro da Favela, allowing collectors to incorporate a fragment of Brazilian history and social critique, elevating the décor with art that possesses depth, soul, and an inestimable legacy.Design: Tarsila do Amaral
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Switzerland
O Morro da Favela (The Hill of the Favela), painted in 1924, is a masterpiece by Tarsila do Amaral, born from a keen socio-political critique on growing urban marginalization. The original painting portrays houses built on uneven ground, blending native vegetation, wild, and domestic animals. The social contrast is subtly expressed by the figure of Black people who, after the end of slavery, formed communities on the cities' outskirts. The canvas belongs to the Pau Brasil phase, a period of "rediscovery of Brazil" by the artist, marked by exuberant forms and colors following her return from abroad. Tarsila do Amaral was a luminous and visionary woman, ahead of her time, essential to the history of Brazilian painting and visual arts. The Modernist and Anthropophagic movements are important cultural icons in her career and for the national identity. In an exclusive project curated by Francesca Alzati, and in collaboration with the artist's family (represented by Tarsila do Amaral, grandniece), by Kamy transformed iconic works into precious tapestries (arazzos). These faithfully represent the work O Morro da Favela, allowing collectors to incorporate a fragment of Brazilian history and social critique, elevating the décor with art that possesses depth, soul, and an inestimable legacy.
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